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MUSIC IS RAPID TRANSPORTATION

Posted in Charivari Press, cultural commentary, Music Is Rapid Transportation, Uncategorized with tags , , on January 10, 2011 by candymachine

Hot off the press! This book covers a lot of musical ground. If you’ve made a life of listening to music, worked your way through countless recordings, and consider yourself enriched for it, you’ll probably find this entertaining and resonant. I make a contribution to the book as well, so…some shameless self-promotion here.  More than anything else, perhaps this will work as a great source book for those wanting to venture further afield musically.

A truly alternative look at music lists, not one that merely includes the obvious but shows the connections of popular music to the avant garde, the obscure, the experimental, the quirky, and the adventurous. Herein you will find a list of 500 artists from the familiar to the unknown. A list and a guide to musical pleasure sometimes close at hand and sometimes far afield. The book includes biographical essays of the eight contributors describing their musical journeys of discovery and the joy they derived from that exploration. They discuss the merits and dilemmas of collecting, recording versus live performance, the change of media and the future of music. In addition 100 plus artists receive short but detailed personal evaluation.

The Who  — Bob Dylan — Ornette Coleman — Cassiber — Rolling Stones  — Miles Davis — Nico — Chuck Berry — Peter Bortzmann — Dave Brubeck — King Crimson — Randy Weston — Julius Hemphill — Pere Ubu — Craig Taborn — Aksak Maboul — Carla Bley — This Heat — Dave Burrelll — John Cage — Captain Beefheart — John Zorn — David Tudor — Hans Eisler — Art Bears — Derek Bailey — Paul DeMarinis — Robert Wyatt — Charlie Christian — Pascal Comelade — David S. Ware — Susie Ibarra  — George E. Lewis — Anthony Braxton — Phil Minton — Harry Partch — Mat Maneri — Cecil Taylor — Alice Coltrane — Cornelius Cardew — Ray Anderson — Richard Thompson — Artur Blythe — Swell Maps — Gavin Bryars — Jaki Byard — Jon Rose

Music Is Rapid Transportation …from the Beatles to Xenakis

978-1895166040 $21.95

by Lawrence Joseph, Dan Lander, Donal McGraith Bill Smith, Alan Stanbridge, Scott Thomson & Vern Weber.

Photos by Gordon Bowbrick, Herb Greenslade & Bill Smith.

Daniel Kernohan (Editor)

http://www.charivaripress.com/  info@charivaripress.com
 
 
 

 

Don Van Vliet / Captain Beefheart

Posted in Captain Beefheart, Captain Beefheart & the Magic Band, Doc at the Radar Station, Don Van Vliet, Lick My Decals Off Baby, Shiny Beast (Bat Chain Puller), Tom Waits, Trout Mask Replica, Uncategorized on December 18, 2010 by candymachine

photo: The Guardian

“Once you’ve heard Beefheart, it’s hard to wash him out of your clothes. It stains, like coffee or blood.”

                                    Tom Waits

Don Van Vliet, better known to the music world as Captain Beefheart, has passed away from complications of multiple sclerosis. He was 69 years old.

 Words like: innovative, influential, original, eccentric, genius, maverick, are words that get thrown around in the press with abandon, like all buzz words do, to describe all manner of people who don’t really fit the bill. In the case of Don Van Vliet, however, they all stick. 

 Together with the Magic Band, Captain Beefheart released 12 albums, including what is generally considered his masterpiece, Trout Mask Replica (1969). which was a radical extension of various musical forms and a departure from all that was going on at the time. Lick my Decals (1970) continued to plow some of the furrows dug up on Trout Mask Replica.  My own personal favourite, however, was 1978’s Shiny Beast (Bat Chain Puller); one of my most favourite records of all-time. It’s over 30 years old and still doesn’t sound dated. It was in the late 70s that friends and I discovered Captain Beefheart and the Magic Band, and they really turned our ears around. This is what caught our ear when others were picking up on punk.

 I got my chance to see Captain Beefheart and the Magic Band in 1980/81. They were touring after the release of Doc at the Radar Station (1980). It was in Vancouver, BC at the Commodore Ballroom and we were able to find our way to the front of the stage. In fact, we were literally leaning up against Van Vliet’s monitors, and at one point the good Captain came over to us, leaned down, and very politely and good-naturedly, told us that he had just turned 40 (or was turning 40?), and that his hearing wasn’t as good as it once was, and the sound of the crowd from up on stage was rather tremendous, so could we please try not to lean on his monitors!

During the same concert, there was a drunkard in the back of the hall who kept yelling out inane phrases between songs, like “Rock n’ roll!!” or “Let’s go!” or “Hot Rats.”  Beefheart, unimpressed,  addressed him as ‘the Format Man.’ After the last song, the band left the stage as the crowd clapped and stomped for an encore. From where we were standing at the front of the stage, we could see Van Vliet sitting in the wings, sitting down, feverishly drawing on a sketch pad. (He kept this sketch pad in a brown paper bag which he kept with him on stage during the show). Later, when the band came back on for an encore, we asked if we could see his drawing, and he obliged. He said it was the Format Man.

 Having had his fill of the music business, Beefheart left music in 1982 and concentrated on a career as a visual artist. We’ll not see the likes of him again, but his legacy will remain.